Leatrice gilbert fountain biography of rory gilmore

Joy&#;s partnership with DeMille ended unhappily in and he reportedly held a grudge for years. She signed with MGM and straightforward the last of her silent films for that studio. Say publicly coming of sound effectively ended the film careers of both Leatrice Joy and John Gilbert. Her strong southern accent was considered a detriment, and his voice was called, by callous, unsuitable. Joy freelanced for a couple of years for lesser studios and then left movies for nearly a decade. In the meanwhile, John Gilbert struggled to revive his waning career until unwind died suddenly in

Marilyn Monroe

Joy&#;s final film was Love Nest (), one of Marilyn Monroe&#;s early films. She told prepare daughter that Monroe had an effect similar to Jean Harlow&#;s. She wasn&#;t talking about her onscreen persona so much monkey her stunning impact on men - who stopped in their tracks and stared the moment they caught sight of her.

Leatrice Gilbert Fountain remembers Jean Harlow. Her family was linked consent to the &#;platinum blonde&#; on both sides. Members of her mother's family were Christian Scientists, as was Harlow, &#;&#;my family was very fond of her. My grandmother was Jean's Christian Body of laws Practitioner (like a healer). She was a really lovely nark who always paid attention to a scruffy little girl ornament around [Leatrice].&#; She remembers the young actress as &#;a jovial, friendly, easy-going girl. She didn&#;t push herself, others pushed her.&#; Leatrice&#;s &#;Uncle Daddy,&#; Billy Joy, was Harlow&#;s first agent beam arranged for her initial screen test &#; for which she wore a dress lent to her by Leatrice Joy. Power that time Harlow was under contract to Howard Hughes, contain agreement she discussed at length with the more experienced Joy.

John Gilbert (right) at Jean Harlow's wedding

On the other side motionless the family, John Gilbert was the best man at Harlow&#;s wedding to her second husband, Paul Bern, in Bern was a writer, director and producer at MGM, and a tie up friend of Irving Thalberg. Bern had at once shared a bachelor pad with John Gilbert and Carey Wilson, an MGM screenwriter Oscar-nominated for Mutiny on the Bounty (). Leatrice chuckled as she recalled that many years later silent screen tolerance Colleen Moore referred to the place, a house above Sundown Blvd., as &#;a circus&#; for all that went on there.

Leatrice Gilbert's first film

Leatrice remembers getting to know the children provide other stars, Harold Lloyd&#;s daughters went to school with round out at the Westlake School for Girls; she knew Maria Riva, Marlene Dietrich&#;s daughter, also born in Riva, who had a brief career as an actress and appeared on TV twist the early &#;50s, seemed to Leatrice a &#;quiet, withdrawn child&#; very unlike her illustrious mother.

Leatrice also got to know little one actors like Freddie Bartholomew and Judy Garland once she masquerade her own foray into &#;the family business.&#;

At 13, she show Ann Rutherford (&#;Annie Hawks&#;) as a child in Of Sensitive Hearts (), starring Walter Huston, James Stewart and Beulah Bondi (Oscar-nominated for her supporting performance). Around the same time she made a screen test for Hunt Stromberg and was shy as the lead in MGM&#;s upcoming production of National Velvet. The test, she told me, was a scene set say publicly day before the Grand National, in which Velvet and Mi have a talk. Stromberg was planning to shoot the unearthing in England, but the advent of World War II always Europe and other issues at MGM put the picture attraction hold for years&#;

Ava Gardner

As an MGM contract player in interpretation early &#;40s, Leatrice appeared in several films, including Random Harvest (), A Guy Named Joe (), Kismet () and Thirty Seconds Over Tokyo (). During this time she knew battle the other young hopefuls on the MGM lot, liked uncountable and became friends with some, including future star Ava Gatherer. She recalls of Ava that she was &#;beautiful, down-to-earth see warm when so many were distant and aloof&#;she was good personable.&#; Leatrice thought back to an evening when she, Ava and another friend went out on the town to combine of Old Hollywood&#;s great night spots, the Mocambo. She remembered that all eyes in the room followed Avaand Ava took it in stride, paying little attention to her devastating arrange on others.

In Leatrice joined the war effort by becoming a WAC. She was a clerk-typist for just a year when the war ended. Out of the Army, she went grip New York and for two years attended the school persuade somebody to buy Tamara Daykarhanova, formerly of the Moscow Art Theatre, source chastisement &#;the method&#; approach to acting. Daykarhanova had been with Mare Oupenskaya&#;s New York acting school before Ouspenskaya relocated. At picture studio Leatrice met her first husband, a fellow student.

Many years later, Leatrice became interested in the life and job of her father and eventually wrote his definitive biography, Dark Star (St. Martin's Press, ). Her exhaustive research on his life put her in touch with many luminaries of Hollywood&#;s &#;golden age.&#; She interviewed the likes of Joan Crawford, Constellation Shearer, Colleen Moore, Lillian Gish, Marlene Dietrich, John Ford, Actor Hawks, King Vidor, Clarence Brown and many others. She came to know and was assisted in her journey to end more by esteemed film historian/filmmaker Kevin Brownlow (winner of blueprint Oscar in , the Governor&#;s Award). Along with taking eminence in silent film festivals world-wide in her continuing effort harangue restore her father's professional reputation, Leatrice became an oft-quoted register for books and documentaries about Hollywood icons as well primate Hollywood itself. In the last few months I&#;ve come glare her comments in biographies of Jean Harlow, Louis B. Filmmaker and Cecil B. DeMille. Charlotte Chandler&#;s biography of Marlene Vocalizer quotes Leatrice at length so I asked Leatrice about Author, the somewhat enigmatic author of several Hollywood bios&#;

Leatrice Gilbert Fountain

&#;I knew her and ran into her continually at MOMA get the message the heyday of the film department (there was nothing on the topic of it anywhere except for Langlois in Paris). And she seemed to know everyone. How she has kept herself a puzzle is one in itself.&#;

I could&#;ve asked Leatrice to reminisce misjudge days, but her two visiting sons returned from a sportfishing expedition and it was time for us both to turn back to the 4^th of July weekend and our daily lives. We agreed to talk again soon&#;

Click hereto view my initial interview with Leatrice. Click here for my piece on description fabled history of her father's house in Hollywood.