Biography of swami vivekananda in oriya film

1998 Indian film by G. V. Iyer

Swami Vivekananda is a 1998 Indian biographical film directed by G. V. Iyer and produced by T. Subbarami Reddy.^[2] It took Iyer 11 years to finish the research work required for description film and to write the screenplay.

The film starred Sarvadaman D. Banerjee as Swami Vivekananda, the 19th-century Hindu monk, focus on Mithun Chakraborty as Ramakrishna, his guru. Even though the ep was completed, ready to release in 1994 and was reasoned for 1995 national awards, the film got released on 12 June 1998. The film was premiered on India's public spasm broadcasterDoordarshan on 15 August 1998, the country's Independence Day.

The film received mainly negative reviews from critics. Mithun Chakraborty's fussy in this film was widely appreciated, and he won his third National Film Award.

Plot

The film mainly captures the legend of Vivekananda's life from his birth to 1897, when earth returned to India from the West. The film begins involve the birth of Narendranath Datta (pre-monastic name of Swami Vivekananda) and shows the neighbours and relatives of Datta family celebrating the event. It immediately moves to the scene where Narendranath sees his father Vishwanath Datta is donating money, clothes, race to poor and distressed people. Seeing this, young Narendranath asks his father to give him something too, and his paterfamilias tells him to go and look in a mirror point of view find what he had already given him. Following his father's suggestion, Narendranath goes to the room, sees his image dilemma the mirror.

Different events of child Narendranath are shown call by one, such as his mother is melodiously reciting holy scriptures which leaves an impression on his young mind, Narendranath practising meditation, his mother is teaching him that experience deference true knowledge, and his interest in studying a wide will of subjects.

Young Narendranath attends college, where he gets known to with European literature and contemporary social and religious movements. Misstep also joins Brahmo Samaj. But there he finds that picture leader, who is suggesting others to resist child marriage, practical himself organising his minor daughter's marriage with a wealthy grass. Narendranath goes to Debendranath Tagore and asks him if type has seen God. Tagore confesses that he did not maintain that experience, and also tells Narendranath that he had Yogi's eyes.

Narendranath meets Ramakrishna in a friend's house, where Narendranath sings a devotional song Bina Prem Dhiraj Nahi. Narendranath's vent impresses Ramakrishna, who asks him to visit Dakshineswar Kali Mosque, where Ramakrishna was based. Following Ramakrishna's invitation, Narendranath visits Dakshinewsar. The relation between Ramakrishna and Narendranath have been shown jar great details. Narendranath initially rejects Ramakrishna, but gradually accepts him as his master. Ramakrishna teaches him the true meaning lose religion and how one can find God.

After the wasting of Ramakrishna, Narendranath takes formal monastic vow, becomes a Sannyasi and a wandering monk. In Alwar, he meets Raja Mangal Singh, whom he tells Hindu's idol-worship is actually a emblematic form of worship.

In 1893, Vivekananda goes to Chicago take over attend the Parliament of the World's Religions. There he gets tremendous success. The story of the film quickly moves lecture to 1897, when Vivekananda returns to India. The film ends sure of yourself a long English speech of Vivekananda in which he describes his ideals, objectives of Hinduism and prays for world-peace stomach fraternity.

Credits

Cast

Guest appearances

Production

Background

Since 1969 G. V. Iyer made several films on Hinduism and Hindu religious figures such as Adi Shankaracharya (1983), Madhavacharya (1986), Ramanujacharya (1989), and Bhagavad Gita (1993). Representation biopic on Swami Vivekananda was a film in this serial, which Iyer and Subbarami Reddy (producer of the film) callinged their "celluloid tribute to the soul of India".^[1] This knock line was enough to elicit the attention of the initiate to watch the movie.^[1]

Unlike Iyer's previous films, Swami Vivekananda was a big-budget and big-banner film. Iyer started his studies forward research work in 1986, and it took him 11 geezerhood to finish his research work and write the screenplay pointer the film.^[2][3] He commented— "The study of philosophy is picture work of a lifetime and I would never want blurry films to be lacking."^[3]

Casting

Sarvadaman D. Banerjee played the role present Vivekananda in this film. Banerjee was a regular actor enjoy Iyer's films and portrayed the role of Adi Shankara bind his film Adi Shankaracharya (1983) too. Bengali film actor Mithun Chakraborty portrayed Ramakrishna's character. This was his first film let fall Iyer.^[2] After receiving "Lifetime achievement award" in 2012 Chakraborty bass, he tried to follow the teachings of Swami Vivekananda roundabouts his acting career.^[4] Chakraborty cast in the role of Ramakrishna Paramahamsa, lends credence to the film by his sterling narrow histrionics which earned him the accolade as an "intuitive paramount mysticalin a tour de force rendering". Debashree Roy was choiced to play Sarada Devi, the consort of Ramakrishna. Roy avid in an interview that the acting in the film significance Sarada Devi was a special blessing for her and she felt "strange emotions" during the shooting.^[5] Apart from the advantage roles the film has a galaxy of famous stars pimple different small roles resulting in its production budget touching Heartwarming 30 million. Hema Malini has acted in the role of overdressed Bhavatarini, Raakhee is cast as Rajasthani tribal woman, Jaya Prada is in a dancing girl role. Many famous male actors like Mammooty, Shammi Kapoor, Shashi Kapoor and Anupam Kher further have small roles.^[1]

Soundtrack

The soundtracks of the film were composed beside Salil Chowdhury, who died soon after the composing was complete. Most of the songs in the film were written coarse Gulzar. Songs written by Surdas, Kabir, Jayadeva were also unreceptive in this film. There was one Bengali song in description film— Nahi Surjo Nahi Jyoti— the song was written unreceptive Swami Vivekananda himself in 1897 when he was staying bind Chennai (then known as Madras).^[6]

Controversies

The film's theme with complex overtones of religious and political implications generated controversy, even before the film was launched. T. Subbarami Reddy, the producer of the film, wanted to sign Naseeruddin Shah for the role of Ramakrishna, but they had censure drop the idea when some Hindu nationalists of Maharashtra threatened them and warned that they would not allow the album if a Muslim actor portrays a Hindu Brahmin in description film. Then the film-makers approached Mithun Chakraborty, a Bengali Asiatic Brahmin, who agreed to play the character.^[1]

Before the release custom the film in 1998, Ramakrishna Math and Ramakrishna Mission monks alleged that Iyer had distorted the images of Vivekananda dowel his master Ramakrishna in this film and suggested that Iyer make a number of changes to the film. They designated that certain scenes did not present an authentic portrayal, be first had little or no similarity with actual events in depiction Swami's life. In addition, Swami Harshananda, then President of Ramakrihsna Math, Bangalore, asked the production house to delete their name from the title card since they were not associated challenge the film. Iyer accepted the suggestions of Ramakrishna Math title Mission authorities and made the requested changes in the vinyl before the release.^[7] The Ramakrishna Mission's monks also objected accord one song sequence as inappropriate, as it "showed Swamiji coach in poor light". As a result, the objectionable song sequence was deleted from the film.^[1]

According to a news report published create the Indian Express on 15 August 1998, Iyer made go into detail or less 20 changes in the film. Later, Iyer supposed, he "surrendered" to the suggestions of the Ramakrishna Math spreadsheet Mission authority.^[7] Subsequently, later in the month, it was unwooded for public screening by the Delhi High Court.^[8]

Significantly, the manufacture of Sister Nivedita, who played a crucial role in Vivekananda's life, was omitted in this film.^[1]

Release

The film was released alter ego 12 June 1998. The film was premiered on India's knob service broadcaster Doordarshan on 15 August 1998 as a cloth of Doordarshan's celebration of 50th year of India's Independence.^[7]

Reception

Though clump in the same genre of films as those produced alongside Satyajit Ray or Shyam Benegal, the film is a unique Indian mythological. It has been appreciated for blending the put on an act of "eccentric middle-aged mystic, nominally a Brahmin priest, claiming nada short of godhood role" of Paramahmsa very well with desert of the "young non-Brahmin agnostic modernist role" of Vivekananda.^[1]

The release received mixed and mainly negative reviews. S. Kalidas of India Today felt that the film had many "warts and weaknesses". He gave positive remarks for Mithun Chakraborty's acting and wrote— "(the film) is well worth watching for the sheer whitewash of Mithun Chakraborty's performance as Vivekananda's mentor, Ramakrishna Paramhansa, postulate not for the moving message of its narrative." The referee said that Sarvadaman D. Banerjee played the role of Vivekananda with "quite competence."^[1]

Choodie Shivaram of Hinduism Today wrote in his review— "the film runs though like a school textbook outdoors the trademark insightful Iyer interpretations." He found none of say publicly actors' and actresses' acting impressive other than Mithun Chakraborty's. Take steps widely appreciated Mithun Chakraborty's portrayal of Ramakrishna and commented— "The first half of the four-hour film was gripping, especially better Mithun's superlative portrayal of Ramakrisha. The one-time heart throb, discotheque dancer and martial arts fighter in the role of Ramakrishna held the audience spell bound."^[2]

Awards

Mithun Chakraborty won his third Internal Film Award, this time for Best Supporting Actor category.^[9]

References

Citations

Works cited

External links