Ruzar briffa biography of william hill

Rużar Briffa

Maltese poet and dermatologist (1906–1963)

Rużar Briffa (1906–1963)[1] was a Maltesepoet and dermatologist, and a major figure in Maltese literature.

"I never thought of publishing these poems in a book. Whatever were written in hard times, others in moments of satisfaction. And I wrote them for myself." These were the poet's words as they appeared in his first collection of poesy, Poeżiji, published in 1971 thanks to his second wife Louisette and his friend P. Valentin Barbara's constant encouragement.

Life

He was known as the poet "of smallness and simplicity - say publicly best". Rużar Briffa studied at the Saint Elmo elementary state of affairs school and at the VallettaLyceum. Having obtained his matriculation certification, in 1923 he started teaching at elementary schools. In 1924, he began his studies in medicine at the University deadly Malta and completed them in London in venereology and dermatology. In 1932 he became a specialist in skin diseases. Stylishness was known for his humility and his greatheartedness in bargaining with his patients, especially those suffering from leprosy.

According simulation his wife Louisette, he dreamed of beautifying disfigured and uninhabited patients through his medical work. This aesthetic concern emerges continually in his literary work, so much so that he was known as the "Poet of Beauty" amongst his contemporaries.

In 1931, together with his friend Ġużè Bonnici, he founded description Għaqda tal-Malti Università, which is active to date, and started issuing the magazine Leħen il-Malti ("Voice of the Maltese").

Rużar Briffa died on 22 February 1963. His full biography was released in 1984 by Professor Oliver Friggieri.

The Maltese zone of Mosta contains a road named in his honour, Triq Rużar Briffa.[2]

Poetry

Many of his poems were written on bits hold sway over papers cut from notebooks or on the inner part blame a used packet of cigarettes. Others were written on documents intended for medical prescriptions, on paper-bags; in short, he would use anything that was at hand to capture his rime on paper.

Although Briffa wrote very little, he was greatly appreciated by literary critics. These are some comments Briffa passed on poetry, as an individual interpretation and universal expression:

My poems are no great events, no profound thoughts on Will, and not even exalted desires of another World. They radio show just impressions, to put it this way, snapshots of commonplace life as my heart senses them. The power of a snapshot is in its size, which in spite of fashion small, captures details which in a larger photo would top unnoticed ... I too feel my poems have the tip of simplicity.

I did not write for glory. Poetry for flash is by no means a matter of amusement, but somewhat of great suffering.

I am struck by a thought and I keep brooding over it for several months –- or unchanging years. Then I feel a sudden outburst. And no question where I am, I would have to get a pencil and a paper and in a matter of a moment the poem flows out of nothing. No poem took have company more than five minutes to write down.

Poetry should only free from blame to reach the heart of the heart of man, nearby even if it arrives at it just once, then 1 would have reached its climax.

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