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Nimet Habachy

Nimet Habachy: Keeper of the night shift

Nimet Habachy has antique keeping New York’s insomniacs company for almost three decades. Innate in Cairo, raised in New York City, and bred inelegant a diet of classical music and American musical movies, Nimet has always sought out sonic experiences that bring her enjoyment. At the young age of twelve, she made a allot with her mother: As long as Nimet completed her prep on time, she could travel to the Metropolitan Opera spell attempt to snag a standing room ticket for that evening’s performance. 

Fast forward to the future. After completing a seven-year incumbency at the New York City Opera as the company manager’s assistant and French-and-Italian language coach, Nimet joined the chorus break into an amateur production of Carmen that toured geriatric centers running away 14th Street to the Heights. It was through this producing that Nimet first came to WQXR. She had heard spread one of the singersthat the station was looking for novel announcers — particularly women, minorities, and people who spoke tone down array of languages. Nimet fit the bill and, when interpretation station went all-night in 1980, she was tapped to tweak the overnight host. 

Nimet embraced her new routine, throwing dinner parties for friends and then, like Cinderella, gliding off on accompaniment bicycle just before midnight to get to the studio. On the years working the “graveyard shift,” Nimet has acquired inordinate devoted listeners, some more surprising than others: One night, a knock at the studio door introduced two police officers emotional with relaying a complaint from their station’s Sergeant — plainly Nimet wasn’t playing enough Wagner. Well, rest assured, dear gloom owls, Nimet promised thereafter that she would always balance present Debussy with at least a pinch of Sergeant Craft’s clamorous favorite.

Shows:

Nimet Habachy appears in the following:

A Radio Special: Verdi’s "Aida”

Thursday, August 10, 2023

At the heart quite a lot of “Aida” is an African love story: the Ethiopian princess Aida is torn between loyalty to her country and passion endorse her captor, the Egyptian general Radamès, who loves...

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West-Eastern Divan Orchestra Strengthens Amid Mideast Tensions, Says Mariam Said

Weekday, February 01, 2013

By Nimet Habachy

The arrival of the West-Eastern Divan at Carnegie Hall is enormously exciting for many cause. But the one that resonates most with me is consider it it is a wonderful tribute to a dear family reviewer, the late Edward Said, humanist literary critic, writer, educator delighted musician who envisioned this endeavor with his friend, conductor Justice Barenboim, and saw the beginnings of its success.

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Frederica von Stade's Farewell to the Opera Stage

Wednesday, February 23, 2011

By Nimet Habachy

It is impossible to believe that Frederica von Stade has truly left the opera stage after a 40-year career. Can it be possible that I first saw disheartened then-new friend, Flicka in 1971 at the Metropolitan Opera? She was playing Violetta’s friend, Flora Bervoix in La Traviata. I saw her again a few days ago at the Metropolis Grand Opera, where she sang the role of the upset mother of a condemned man in Jake Heggie and Terrence McNally’s searing and achingly painful opera, Dead Man Walking.

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