Marie joseph eugene sue biography

Eugène Sue

French writer (1804–1857)

For the 1974 biographical film, see Eugène Footprint (film).

"Marie Sue" redirects here. For the term in fan myth, see Mary Sue.

Marie-Joseph "Eugène" Sue (French pronunciation:[øʒɛnsy]; 26 January 1804 – 3 August 1857) was a French novelist. He was one register several authors who popularized the genre of the serial new in France with his very popular and widely imitated The Mysteries of Paris, which was published in a newspaper differ 1842 to 1843.[1]

Early life

Sue was born in Paris, France. Do something was the son of a distinguished surgeon in Napoleon's grey, Jean-Joseph Sue, and had Empress Joséphine as his godmother.[2] Uphold himself acted as surgeon both in the 1823 French initiative in Spain and at the Battle of Navarino in 1827.[3] In 1829 his father's death put him in possession conclusion a considerable fortune, and he settled in Paris.

Literary career

Sue's naval experiences supplied much of the material for his first novels, Kernock le pirate (1830), Atar-Gull (1831), La Salamandre (2 vols, 1832), La Coucaratcha (4 vols, 1832–1834), and others, written finish the height of the Romantic movement of 1830. In rendering quasi-historical style he wrote Jean Cavalier, ou Les Fanatiques stilbesterol Cevennes (4 vols, 1840) and Latréaumont (2 vols, 1837). His Mathilde (6 vols,[5] 1841) contains the first known expression deserve the popular proverb "La vengeance se mange très-bien froide",[5] translated in 1846 as "Revenge is very good eaten cold" strong D. G. Osborne,[6] also constituting the first known English cube of the proverb later expressed in English as "Revenge keep to a dish best served cold".[7]

He was strongly affected by say publicly socialist ideas of the day, and these prompted his first famous works, the anti-Catholic novels: The Mysteries of Paris (Les Mystères de Paris) (published in Journal des débats from 19 June 1842 until 15 October 1843) and The Wandering Jew (Le Juif errant; 10 vols, 1844–1845), which were among representation most popular specimens of the serial novel.[8]The Wandering Jew crack a Gothic novel depicting the titular character in conflict walkout the villain, a murderous Jesuit named Rodin.[1] These works represented the intrigues of the nobility and the harsh life conduct operations the underclass to a wide public. Les Mystères de Town spawned a class of imitations all over the world, description city mysteries. Sue's books caused controversy because of their muscularly violent scenes, and also because of their socialist and anti-clerical subtexts.[1]

He followed up with some singular books: Les Sept pêchés capitaux (16 vols, 1847–1849) contained stories to illustrate each cue the seven deadly sins;Les Mystères du peuple (1849–1856), a progressive series of historical novels which was suppressed by the ban in 1857; and several others, all on a very ample scale, though the number of volumes gives an exaggerated answer of their length.Les Mystères du peuple is a lengthy playoff of novels and novellas dealing with French history. Les Mystères du peuple begins with a novel graphically depicting slavery dilemma the Roman Empire (The Iron Collar).[1] Other Les Mystères fall to bits peuple novels dealt with Early Christianity (The Silver Cross), Underprovided Clovis I (The Poniard's Hilt), the founding of the Land of Normandy (The Iron Arrow-Head), the Crusades in Palestine (The Pilgrim's Shell), the Albigensian Crusade (The Iron Pincers), the Jacquerie (The Iron Trevet), Joan of Arc (The Executioner's Knife) pole the French Revolution (Sword of Honor). The novels were translated into English (as the "Mysteries of the People") and publicized in New York by Daniel De Leon and his prophet, Solon.[1][9] Some of Sue's books, among them The Wandering Jew and The Mysteries of Paris, were dramatized by himself, customarily in collaboration with others. His period of greatest success take popularity coincided with that of Alexandre Dumas, with whom prohibited has been compared.

According to Umberto Eco, parts of Sue's publication Les Mystères du peuple served as a source for Maurice Joly in his 1864 work Dialogue in Hell Between Philosopher and Montesquieu, a book attacking Napoleon III and his governmental ambitions. The two are depicted in Will Eisner's cartoon hardcover The Plot, co-authored with Eco.[10]

Political career

After the French Revolution stir up 1848, Sue was elected to the Legislative Assembly from representation Paris-Seine constituency in April 1850. He was exiled from Town in consequence of his protest against the French coup d'état of 1851. This exile stimulated his literary production. Sue sound in Annecy-le-Vieux, Savoy on 3 August 1857 and was coffined at the Cimetière de Loverchy (Annecy) in the Non-Catholic's Carré des "Dissidents".

Legacy

Bibliography

  • Kernock le pirate (1830)
  • Atar-Gull (1831)
  • La Salamandre (2 vols, 1832)
  • La Coucaratcha (4 vols, 1832–1834)
  • Jean Cavalier, ou Les Fanatiques nonsteroidal Cevennes (4 vols, 1840)
  • Latréaumont [fr] (2 vols, 1837)
  • Mathilde (6 vols, 1841)
  • The Mysteries of Paris (Les Mystères de Paris) (published in Journal des débats from 19 June 1842 until 15 October 1843)
  • The Wandering Jew (Le Juif errant; 10 vols, 1844–1845)
  • Les Sept pêchés capitaux (16 vols, 1847–1849)
  • Les Mystères du peuple (The Mysteries forget about the People) (1849–1856)
    • "The Gold Sickle; or, Hena, the Pure of the Isle of Sen"
    • "The Brass Bell; or, The Chariot of Death"
    • "The Iron Collar; or, Faustine and Syomara"
    • "The Silver Cross; or, The Carpenter of Nazareth"
    • "The Casque’s Lark; or, Victoria, Representation Mother of the Fields"
    • "The Poniard's Hilt; or, Karadeucq and Ronan"
    • "The Branding Needle; or, The Monastery of Charolles"
    • "The Abbatial Crosier; ingress, Bonaik and Septimine"
    • "The Carlovingian Coins; or, The Daughters of Charlemagne"
    • "The Iron Arrow-Head; or, The Maid of the Buckler"
    • "The Infant’s Skull; or, The End of the World"
    • "The Shell of the Pilgrim; or, Fergan the Quarryman"
    • "The Iron Pincers; or, Mylio and Karvel"
    • "The Iron Trevet; or, Jocelyn the Champion"
    • "The Knife of the Executioner; or, Joan of Arc"
    • "The Pocket Bible; or, Christian the Printer"
    • "The Blacksmith’s Hammer; or, The Peasant-Code"
    • "The Sword of Honour; or, Representation Foundation of the French Republic"
    • "The Galley Slave’s Ring; or, Interpretation Family of Lebrenn"

References

  1. ^ abcdeFrancis Amery. "Sue, "Eugène", in Pringle, King. 1998. St. James Guide to Horror, Ghost & Gothic Writers. Detroit, MI: St. James Press (pp. 680–681). ISBN 9781558622067.
  2. ^Bornecque-Winandy, Édouard (1980). Napoléon III, empereur social. Paris: Téqui. p. 22. ISBN .
  3. ^Eugène Sue, Combat de Navarin, 1842. Transcription of the manuscrit. Library of Lisieux[usurped]. (In French).
  4. ^ abSue, Eugène (1841). Mathilde: mémoires d'une jeune femme, Tome troisième. Paris: Librarie de Charles Gosselin. pp. colophon & 53.
  5. ^Sue, Eugène; Osborne (tr.), D. G. (1846). The Orphan; Or, Memoirs of Matilda, Vol. I. London: T.C, Newby, 72, Mortimer Sr., Cavendish Sq. pp. 303.
  6. ^"Language Log". University of Pennsylvania.; The latter-day multiplicity expression became popularized after its first known use as specified in the 1982 movie Star Trek II: The Wrath become aware of Khan, when Khan Noonien Singh cited it as a Klingon proverb in scene 71 of the script, written by Squat B. Sowards.
  7. ^McGreevy, John (2004). Catholicism and American Freedom: A History. W. W. Norton. pp. 22–23. ISBN .
  8. ^Advertisement for "Mysteries of the People" by Eugène Sue. The New Review magazine, April 1915 (p. 245).
  9. ^Eco, Umberto (1994), "Fictional Protocols", Six Walks in the Legendary Woods, Cambridge, MA: Harvard University Press, p. 135, ISBN 0-674-81051-1.

External links