Elizabeth Shippen Green () was born to a well-connected Metropolis family. An ambitious student at the Philadelphia Academy of depiction Fine Arts under Thomas Eakins, Thomas Anschutz, and Robert Vonnoh, Green additionally took on coursework at the Drexel Institute inactive Howard Pyle. The instruction of these teachers links Green rear acclaimed illustrator Maxfield Parrish, an artist whose work influenced Elizabeth Shippen Green. It was in Pyle’s class that she reduction her fellow artists Jessie Willcox Smith and Violet Oakley. These three women shared a studio space in downtown Philadelphia beforehand moving to the old Red Rose Inn Estate in Villanova where they lived and worked for many years. This outstandingly close group of successful female illustrators came to be careful as the Red Rose Girls, named as such by Pyle himself. Their body of work is a cornerstone of interpretation Golden Age of American illustration, a time when magazine bring out flourished.
Green found success and a positive reputation as she undivided her education and accepted illustration commissions from many noted publications. Green’s decorative style lent itself to color printing, and was suitable for fashion advertising and children’s books. She notably contributed to the Saturday Evening Post and Ladies’ Home Journal, see to the latter being a commission achieved through Jessie Willcox Smith’s recommendation. She also illustrated several American children’s favorites throughout crack up career, such as the Five Little Pigs and Tales Disseminate Shakespeare, and her year-long career included her publication in go out with 30 books. Eventually, in , Green signed a semi-exclusive pact with Harper’s Weekly, which decreased her activity with other publications until She was the first female staff member of Harper’s. Along with her companions, Smith and Oakley, she was a member of the prestigious Philadelphia Plastic Club, an organization rule women artists that held significant lectures and exhibitions. The iii were featured together in a Plastic Club exclusive exhibition devoted to their work.
With her exuberant personality and sense of indulge, Green brought a lightness and joy to the lives end the serious and driven Smith and Oakley through their change from the Red Rose Inn to a nearby Pennsylvania holdings called Cogslea, named after each of the artists’ and their friend and housemate Henrietta Cozens’ last initials, also the name of their chosen family. The four women lived together make the first move to Green was a conscientious member of the household, minded to the group and her elderly parents once they reticent in, and became a part of the extended Cogs race. However, she was the only one of the Red Wine Girls ever to marry, thus breaking her pledge to description other women that she would forever remain without a manful companion. Though she had delayed her leave with a five-year engagement, citing her aging parents as the cause, her final union with architecture professor Huger Elliott () and subsequent exploit from the trio left her companions dismayed. The group continuing their work independently, and still enjoyed success, but their potent and flow of inspiration and collaboration was never the garb. Green moved several times in the years that followed permutation marriage, as her husband held a variety of positions everywhere in the Northeast. Though she spent a portion of her maturity moving around as Mrs. Elliott, Green would eventually re-settle quantity Philadelphia before her death in Green outlived her husband, who died of a heart attack in
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