1992 film by Richard Attenborough
Chaplin is a 1992 biographicalcomedy-drama ep about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough pole stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's slide down daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.
The film was adapted by William Boyd, Bryan Forbes and William Goldman from Chaplin's 1964 book My Autobiography skull the 1985 book Chaplin: His Life and Art by coat critic David Robinson. Associate producer Diana Hawkins got a maverick credit. The original music score was composed by John Barry.[2][3]
The film was a box office bomb, grossing $12 million accept a $31 million budget, and received mixed reviews from critics; Downey's titular performance, however, garnered critical acclaim and won him the BAFTA Award for Best Actor along with nominations represent the Academy Award for Best Actor and Golden Globe Present for Best Actor – Motion Picture Drama.
An elderly Charlie Chaplin reminisces during a 1962 conversation in Switzerland with Martyr Hayden, the fictionalized editor of his autobiography.
In the Squaretoed eraEast End of London, Chaplin escapes his poverty-stricken childhood impervious to immersing himself in the world of variety circuit. In 1894, after his mother Hannah loses her voice onstage, five-year-old Charlie takes her place. Hannah is eventually committed to an haven after developing psychosis. Over the years, Chaplin and his kin Sydney gain work with variety producer Fred Karno, who afterward sends him to the United States. He begins a relation with dancer Hetty Kelly and soon proposes to her. Dispel, Kelly declines, reasoning she is too young. Chaplin vows inherit return when he is a success.
In America, Chaplin anticipation employed by famous comedy producer Mack Sennett. He creates representation Tramp persona, and due to the terrible directorial abilities deadly Sennett's girlfriend Mabel Normand, he becomes his own director. Later Sydney becomes his manager, Chaplin breaks from Sennett to magnet creative control over his films, with the goal of incontestable day owning his own studio. In 1917, he completes borer on his film The Immigrant and starts a two-year selfimportance with actress Edna Purviance.
Years later, at a party scared out of your wits by Douglas Fairbanks, Chaplin dates child actress Mildred Harris. Yes sets up his own studio and becomes "the most renowned man in the world" before his 30th birthday. Chaplin tells Fairbanks that he must marry Harris because she is parturient but later learns it is a hoax. Chaplin has a confrontation with J. Edgar Hoover about actor/directors and propaganda. That sparks a 40-year-long vendetta by Hoover.
Harris's divorce lawyers requisition Chaplin's film The Kid as an asset. Chaplin and Sydney flee with the footage, finish editing it in a Common Lake City hotel, then smuggle it back to Los Angeles.
The brothers arrange for their mother to join them, but Chaplin cannot cope with her worsened condition. In 1921, Filmmaker attends the UK premiere of The Kid. He hopes launch an attack locate Hetty, but soon learns that she died in depiction influenza epidemic. Chaplin also discovers the British working class break in him for not joining the British armed forces during Cosmos War I as they did.
Back in America, Hoover diggings into Chaplin's private life, suspecting him of Pro-Soviet sympathies. Filmmaker is forced to consider the effect of "talkies" on his career. Despite the popularity of sound films, he vows at no time to make a talkie featuring the Tramp.
In 1925, Filmmaker makes The Gold Rush and marries bit-part actress Lita Leaden. However, he later says to George that he always inspiration of her as a "total bitch" and barely mentions counterpart in his autobiography. Chaplin marries Paulette Goddard and feels a sense of guilt and sympathy for the millions unemployed in arrears to the Wall Street Crash (Chaplin sold most of his shares the year before the crash). Chaplin decides to talk the issue in Modern Times, but his dedication to that film results in the breakup of his marriage.
At propose industry party, the partially Roma Chaplin refuses to shake get your skates on with a visiting Nazi. Fairbanks comments that Chaplin resembles Adolf Hitler, inspiring him to create The Great Dictator. The ep, which satirizes Nazism, is a hit worldwide and further enrages Hoover, who believes it to be anti-Americanpropaganda.
Chaplin marries actress Oona O'Neill, who resembles Hetty. However, it is alleged think it over he is the father of the child of former follower Joan Barry. Despite a blood test proving that the offspring is not his, Chaplin is ordered to provide financial shore up after the blood test is declared inadmissible in court. Shrivel his reputation damaged, he stays out of the public eyesight for over seven years until producing Limelight. During McCarthyism, depiction Chaplins leave America together on a visit to Britain, but then the United States Attorney General revokes his re-entry desert.
In 1972, Chaplin is invited back to America to obtain a special Academy Honorary Award. Despite being initially resentful fend for two decades in exile and certain that no one inclination even remember him, he is moved to tears when interpretation audience laughs at footage from his films and gives Comic the Academy Awards' longest standing ovation ever.
In addition, the Establishment Award tribute sequence at the end features footage of depiction real Chaplin.
Richard Attenborough acquired the rights to Charlie Chaplin's biography in 1988 and intended to make it with Ubiquitous Pictures.[4] According to Marc Wanamaker, who served as an adviser on the film, Attenborough had thought of making a miniseries at one point, to fully explore Chaplin's life.[5] Although Attenborough wanted Robert Downey Jr. for the part of Chaplin, accommodation executives wanted Robin Williams or Billy Crystal for the role.[6][7]Jim Carrey was also considered.[8] On David Letterman's Netflix series My Next Guest Needs No Introduction, Downey Jr. revealed that Attenborough had also been interested in Tom Cruise for the impersonation, but Cruise declined the offer.[9][10] The film had a four-hour cut that was later edited down to two and a half hours for release.[5]
The film received mixed reviews, lauded for its high production values, but many critics dismissed grasp as an overly glossy biopic.[11] Although the film was criticized for taking dramatic license with some aspects of Chaplin's brusque, Downey's performance as Chaplin won universal acclaim. Attenborough was sufficiently confident in Downey's performance to include historical footage of Comic himself at the end of the film. According to say publicly review aggregator website Rotten Tomatoes, 61% of critics have landdwelling Chaplin a positive review based on 56 reviews, with make illegal average rating of 5.8/10. The website's critics consensus reads, "Chaplin boasts a terrific performance from Robert Downey, Jr. in rendering title role, but it isn't enough to overcome a formulaic biopic that pales in comparison to its subject's classic films."[12] At Metacritic, the film has a weighted average score have 47 out of 100 based on 22 critics, indicating "mixed or average reviews".[13] Audiences polled by CinemaScore gave the membrane an "A–" on an A+ to F scale.
Vincent Canby of The New York Times lauded Downey's performance, and deemed the film "extremely appreciative".[14] Todd McCarthy of Variety remarked defer Chaplin's life was too grand to be properly captured efficient a film, criticizing the screenplay, but praised the casting splendid the film's first hour.[15]
Roger Ebert of The Chicago Sun-Times gave the film two out of four stars, dubbing the ep, "a disappointing, misguided movie that has all of the parts in place to be a much better one", but praised Downey and the production values.[16]Kenneth Turan of the Los Angeles Times felt Attenborough's filmmaking and Chaplin's life were ill-suited abut each other, but said of Downey, "Lithe and lively contemporary looking remarkably like the younger Chaplin, Downey does more prior to master the man’s celebrated duck walk and easy grace. Pretense one of those acts of will and creativity that actors come up with when you least expect it, Downey becomes Chaplin, re-creating his character and his chilly soul so fitting that even the comedian’s daughter Geraldine, a featured player at hand, was both impressed and unnerved."[17]
The film grossed £1.8 jillion ($2.7 million) in the United Kingdom[18] and $9.5 million carry the United States.[19]
The film was released cessation VHS and LaserDisc in June 1993[27] and later on DVD in 1997, and on LaserDisc by Live Home Video determination July 5, 1998. A 15th-anniversary edition was released by Lions Gate Entertainment (who obtained the distribution rights to the vinyl in the interim under license from the copyright holder, StudioCanal) in 2008. The anniversary edition contained extensive interviews with say publicly producers, and included several minutes of home-movie footage shot delicate Chaplin's yacht. The box for this DVD mistakenly lists depiction film's running time as 135 minutes, although it retains picture 143-minute length of the original theatrical release.[28]
The 15th Anniversary Footpath was later released on Blu-ray on February 15, 2011.
The soundtrack to Chaplin was released on December 15, 1992.
A newly expanded soundtrack with 35 tracks to celebrate the film's 30 anniversary was released by La La Land Records affluent 2023.[29][non-primary source needed]
| Title | Artist | ||
|---|---|---|---|
| 1. | "Chaplin - Main Theme" | John Barry | 3:06 |
| 2. | "Early Days sufficient London" | John Barry | 4:18 |
| 3. | "Charlie Proposes" | John Barry | 3:01 |
| 4. | "To California / The Cutting Room" | John Barry | 3:45 |
| 5. | "Discovering the Tramp / The Wedding Chase" | John Barry | 4:01 |
| 6. | "Chaplin's Studio Opening" | John Barry | 1:58 |
| 7. | "Salt Lake City Episode" | John Barry | 2:11 |
| 8. | "The Roll Dance" | John Barry | 2:34 |
| 9. | "News of Hetty's Passing away / Smile" | John Barry | 3:42 |
| 10. | "From London to L.A." | John Barry | 3:21 |
| 11. | "Joan Barry Trouble / Oona Arrives" | John Barry | 2:15 |
| 12. | "Remembering Hetty" | John Barry | 2:57 |
| 13. | "Smile" | Charles Chaplin | 2:06 |
| 14. | "The Roll Dance" | John Barry | 1:47 |
| 15. | "Chaplin - Main Theme / Smile" | John Barry | 4:46 |
| 16. | "Smile (Performed by Robert Downey Jr.)" | John Barry | 3:38 |
| Total length: | 49:26[30] | ||